Producers Connect

<h2 style="color: #1f5730; text-align: center; font-size: 40px;">Producers Connect</h2>

<div style="background-color: #d6e1d9; padding-bottom: 30px;"><p class="desc" style="padding-bottom: 10px; padding-top: 30px; color: #1f5730;">Producers Connect 旨在為全球製片人、導演和融資人建立聯繫和引導國際交流，以探索合作、尋找共同製作的機會、促進創意的分享，並將想法具體化為電影計劃。<br /><br />為期四天的活動包括專題討論會、座談會、工作坊、小組商業配對及聯誼活動。<br /><br />如需查看 Producers Connect 的完整節目表，請按<a href="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Producers-Connect-Programme-Rundown.pdf" target="_blank" rel="noopener"><strong><u>此處</u></strong></a>.</p></div>

<div class="text-level-caption text-font-bold line-limit-2 mt-1">監製及導演</div>

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Peter-Ho-Sun.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陳可辛</span>監製及導演</div><p style="padding-top: 20px;">1997年，陳可辛以經典愛情電影《甜蜜蜜》（張曼玉、黎明主演）在國際影壇嶄露頭角。這部公認的華語影史佳作，不僅奠定了陳可辛職業生涯的基調，也是他致力於推動華語電影發展的開始。陳可辛是首位包辦金像獎、金馬獎、金雞獎三大華語電影最高榮譽「最佳導演」獎項的導演，其作品迄今已斬獲233座獎杯，獲得400餘次提名。美國《時代雜誌》更將《甜蜜蜜》與《武俠》分別評為1997年及2012年全球十大佳片。<br /><br />儘管以人物刻畫見長，陳可辛卻能游刃有餘地穿梭於各種類型片之間。他執導的歌舞片《如果·愛》被選為2006年威尼斯影展閉幕影片，並代表中國香港角逐第78屆奧斯卡金像獎。 2020年，他執導的中國女排故事《奪冠》代表中國大陸參選奧斯卡。陳可辛的其他導演代表作還包括：《雙城故事》《金枝玉葉》《投名狀》《中國合夥人》《親愛的》等。在創作之餘，陳可辛始終致力於推動華語電影產業的開拓：他於1990年代初參與創立「電影人製作公司」（UFO），2000年聯合創辦Applause Pictures，並於2009年創立了具有開創性的「我們製作」（WE Pictures）公司，扶持、製作並發行各類型的作品。<br /><br />作為泰國華僑後代，陳可辛不僅深耕華語影壇，更積極拓展泛亞洲電影版圖。在Applause Pictures時期，陳可辛大力推動製作面向亞洲觀眾的泛亞洲電影，成功打造出《晚娘》《見鬼》系列（含美國翻拍版）等佳作，並與樸贊鬱、三池崇史等國際名導合作。近年來，他更將合作版圖延伸至南亞與東南亞，透過與卡比爾汗、基蘭拉奧、班莊比辛達拿剛等知名導演建立合作，促進亞洲更廣闊區域內電影人的交流與碰撞。<br /><br />2011年，陳可辛的電影《武俠》作為當屆影展唯一入圍的華語片進行首映，其融合武俠動作與偵探懸疑的創新風格頗具特色。 2024年，他的新作《醬園弄》繼《武俠》之後，第二度入選了坎城影展官方單元。</p>

陳可辛

<div class="text-level-caption text-font-bold line-limit-2 mt-1">監製及導演</div>長景路電影工作室

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Anthony_Chen.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陳哲藝</span>監製及導演<br />長景路電影工作室</div><p style="padding-top: 20px;">陳哲藝，新加坡獲獎編劇、導演及製片人。2007年短片《阿嬤》獲康城影展短片競賽特別提及，2013年首部長片《爸媽不在家》獲康城金攝影機獎及金馬獎最佳劇情片等四項大獎。2019年《熱帶雨》再代表新加坡角逐奧斯卡最佳外語片。2023年《漂流人生》入選辛丹斯電影節，《燃冬》入選康城一種注目。2026年《我們不是陌生人》入選柏林主競賽。製片電影包括《親愛的大笨象》、《花路阿朱媽》、《青春末世物語》等。</p>

陳哲藝

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>Sacrebleu Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Ron_Dyens.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Ron Dyens</span>Producer<br />Sacrebleu Productions</div><p style="padding-top: 20px;">Ron DYENS is an Academy Award© &amp; Golden Globe Winner for the animated feature FLOW (2025).<br /><br />He is also an Academy Award© nominee for the animated short MADAGASCAR, TRAVEL DIARY (2011).<br /><br />In 1999, he founded Sacrebleu Productions, a french production company specializing in animated feature and short films with a strong international reach.<br /><br />Since then, he has produced over 100 short films, collecting more than 2000 festivals selections worldwide &amp; winning prestigious awards - including the Palme d'or for Best Short Film.<br /><br /><u>About Sacrebleu Productions</u><br /><br />Sacrebleu Productions ventured in animated feature film with LONG WAY NORTH (awarded at Annecy 2016). Four films followed including MARONA'S FANTASTIC TALE, MY SUNNY MAAD (nominated at the 2022 Golden Globes) and SIROCCO AND THE KINGDOM OF THE WINDS (awarded at Annecy 2023).<br /><br />FLOW premiered at 2024 Cannes Film Festival, grossed nearly $80 million at the global BO and earned 100 awards worldwide (including the Golden Globes, César and Oscar© for Best Animated Feature).</p>

Ron Dyens

<div class="text-level-caption text-font-bold line-limit-2 mt-1">President</div>Janet Yang Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Janet_Yang.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">楊燕子</span>President<br />Janet Yang Productions</div><p style="padding-top: 20px;">An Emmy and Golden Globe-winning Hollywood producer, Yang recently completed three one-year terms as President of the Academy of Motion Picture Arts and Sciences. She is the first Asian American to hold this position. In 2025, she became a founding partner of First Light StoryHouse, a new venture with Miky Lee of CJ Entertainment and Dominic Ng of East West Bank.<br /><br />Yang came to prominence through her collaboration with Steven Spielberg on “Empire of the Sun,” followed by a long partnership with multiple Academy Award-winner Oliver Stone where she served as Executive Producer on the iconic "The Joy Luck Club" and as a Producer on the Golden Globe-winning "The People vs. Larry Flynt."<br /><br />Most recently, Yang was an Executive Producer on the 2025 Tribeca Audience-award winning documentary "The Rose Come Back To Me," the Sundance-premiering narrative feature “Take Me Home,” and the Oscar-nominated animated film “Over the Moon.”</p>

楊燕子

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Chief Executive Officer</div>SKOP Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Shamin-Yusof.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Shamin Yusof</span>Chief Executive Officer<br />SKOP Productions</div><p style="padding-top: 20px;">Shamin Yusof is a commercially driven Malaysian producer with a proven record of delivering high-impact, market-leading content. Over the past nine years, she has produced and managed five of Malaysia’s highest-grossing films, demonstrating a sharp understanding of audience demand, positioning, and large-scale execution. She produced Malaysia’s first original series for iflix, KL Gangster Underworld, which became the platform’s mostwatched original title. In 2025, she produced Blood Brothers: Bara Naga, now ranked among the top three highest box office performers across Malaysia, Singapore, and Brunei.<br /><br />She also led the nationwide distribution strategy for Mat Kilau, Malaysia’s highest-grossing film with RM98 million in box office revenue, and produced the first Malaysian original series for Disney+, Special Force: Anarchy. Her leadership spans development through release, overseeing cross-border collaborations, marketing rollouts, and multi-platform launches.<br /><br />Focused on scalable growth, strategic partnerships, and regional expansion, Shamin consistently delivers commercially competitive projects that elevate Malaysia’s presence in the Southeast Asian entertainment market.</p>

Shamin Yusof

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Secretary General</div>Asian Film Alliance Network AFAN

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Lorna_Tee.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Lorna Tee (Moderator)</span>Secretary General<br />Asian Film Alliance Network AFAN</div><p style="padding-top: 20px;">Lorna Tee is a pan-asian film producer, curator and cultural diplomat. She has had management roles at Focus Films, Variety, Back Up Media, Cinematheque Passion and key positions in festivals such as Berlinale, CinemAsia and more. Currently, she is the curator of , the international acquisitions advisor for Barunson E&amp;A, the Secretary General of the Asian Film Alliance Network (AFAN) (a collective of Asian national film agencies) and the market advisor for JAFF Market.<br /><br />She produced the inaugural Asian Film Awards in 2007. She was the co-founder and Head of Festival Management for the International Film Festival &amp; Awards Macao until 2020. She mentors and lectures with film training programmes/ labs (SEAFIC, EAVE, London Film School, DW Film Akademie, Taipei Film Academy amongst others), primarily with emerging filmmakers, plus collaborates with various international film agencies and film funds in multiple capacities.</p>

Lorna Tee (Moderator)

一拍即「合」：國際合拍的全球動向

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Raymond_Phathanavirangoon.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Raymond Phathanavirangoon</span>Producer</div><p style="padding-top: 20px;">Raymond PHATHANAVIRANGOON is a Hong Kong-born, Bangkok-based film producer who was Executive Director of Southeast Asia Fiction Film Lab (SEAFIC) which helped develop CU LI NEVER CRIES, PLAN 75 and STRANGER EYES that premiered in Berlin, Cannes and Venice, respectively. He was programmer for Toronto International Film Festival, Programme Consultant for Hong Kong International Film Festival and Delegate at Cannes Critics' Week. Prior, he was Director of Marketing &amp; Special Projects for Fortissimo Films. He was advisory for Asian Film Awards and selection member for Hong Kong-Asia Film Financing Forum, Rotterdam Cinemart &amp; TorinoFilmLab. Producing credits: Pang Ho-Cheung’s DREAM HOME (Tribeca 2010), Pen-ek Ratanaruang’s SAMUI SONG (Venice Days 2017) and HEADSHOT (Berlin Panorama 2012), Boo Junfeng's APPRENTICE (Cannes Un Certain Regard 2016) and SANDCASTLE (Cannes Critics’ Week 2010), Ron Howard’s THIRTEEN LIVES (2022), Patrick Dickinson’s COTTONTAIL (Rome Best First Feature 2023), more.<br /><br />Company:<br /><br />Peanut Pictures was formed in 2009 with the aim of producing quality films in Singapore. Its first feature, SANDCASTLE (2010) by Boo Junfeng, premiered at Cannes Critics’ Week. In 2015 it produced the short PARTING by Boo Junfeng, part of the SG50 omnibus 7 LETTERS, which premiered at Busan. Boo Junfeng’s 2nd feature APPRENTICE (2016) premiered at Cannes Un Certain Regard and was Singapore’s 2017 Best Foreign Language Film Oscar entry. In 2018, it was commissioned by the National Volunteer and Philanthropy Centre to produce PLAGUE, a single-shot short film. It is currently finishing Boo Junfeng’s upcoming third film TRINITY.</p>

Raymond Phathanavirangoon

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Funding Executive</div>Medienboard Berlin-Brandenburg GmbH

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Oliver_Zeller-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Oliver Zeller</span>Funding Executive<br />Medienboard Berlin-Brandenburg GmbH</div><p style="padding-top: 20px;">Oliver Zeller is a film funding executive with a background in law and media studies and extensive experience across the film and media sector. He has held key positions in several regional funding institutions, developing strong expertise in international co productions, serial drama, and strategic financing. At Medienboard Berlin Brandenburg — the regional film and media funding agency of Germany’s Berlin Brandenburg Capital Region — Oliver oversees funding for international co productions and high end series, as well as support for digital production, animation, and additional funding initiatives.</p>

Oliver Zeller

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer, Head of DANAFF Project market, DANAFF TALENTS</div>ÂNNAM FILMS

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/TRAN-THI-BICH-NGOC-LYLY.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Tran Thi Bich Ngoc</span>Producer, Head of DANAFF Project market, DANAFF TALENTS<br />ÂNNAM FILMS</div><p style="padding-top: 20px;">Tran Thi Bich Ngoc holds a Bachelor of Film Directing from the Hanoi Academy of Cinema and Theatre and a Master of Public Policy from Fulbright University.<br /><br />With 30 years of experience in the Vietnamese movie industry, she was head of production at Galaxy Studio. Ngoc has also advised many foreign productions in Vietnam since the early 2000s, including The Last Airbender, Peter Pan, and Grand Tour...<br /><br />Highlights of her art house movies include Big Father, Small Father and Other Stories (Berlin IFF), The Third Wife(Toronto IFF), Glorious Ashes (Tokyo IFF), and Skin of Youth (Best Film, IFFI).<br /><br />Besides producing, she now works as head of Project Market, DANAFF talents at the Da Nang Asia Film Festival. She was recognized as one of Forbes Vietnam’s “50 Most Influential Women”.</p>

Tran Thi Bich Ngoc

<div class="text-level-caption text-font-bold line-limit-2 mt-1">JAFF Market Director</div>JAFF Market

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Linda_Gozali.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Linda Gozali</span>JAFF Market Director<br />JAFF Market</div><p style="padding-top: 20px;">Linda Gozali is an award-winning Indonesian producer and industry strategist, serving as Market Director of JAFF Market while co-founding MAGMA Entertainment. Known for films that unite cultural authenFcity with commercial strength, her credits include The Heartbreak Club (Sobat Ambyar, 2020) — the first Indonesian film to stream globally on NeJlix — Qodrat (The Unholy, 2022), which revitalized Islamic horror in Indonesia Cinema, and Qodrat 2 (2025), an IP-franchise milestone that led the compeFFve Eid Mubarak Indonesian box office slate.<br /><br />Following a 25-year career in capital markets, Linda entered the film industry with a long-term vision centered on IP development, sustainability, and cross-border collaboraFon. Beyond filmmaking, Linda has played a pivotal role in strengthening Indonesia’s film ecosystem. As Secretary General of APROFI since 2016 and former Secretary General of the Indonesian Film FesFval CommiYee (2021–2023), she has advocated for producer empowerment, policy dialogue, and professional standards across the naFonal industry.<br /><br />Since assuming leadership of JAFF Market in 2024, Linda has posiFoned it as Indonesia’s first and only film market designed around Asia Pacific dynamics. Under her direcFon, JAFF Market has evolved into a structured deal-making plaJorm, facilitaFng cross-border partnerships, regional financing conversaFons, and internaFonal co-producFon pathways — reinforcing Indonesia’s place within the global screen industry.</p>

Linda Gozali

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer and CEO </div>Vol Media

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Jenna_Ku.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Jenna Ku</span>Producer and CEO<br />Vol Media</div><p style="padding-top: 20px;">Jenna Ku is a veteran film professional active since the late 1990s. In 2016, she founded VOL Media, which she currently leads. Her producing credits span mainstream and independent cinema, including Penny Pinchers (2011) starring Song Joong-ki and Little Forest (2018) starring Kim Tae-ri. She also produced Josée (2020), a Korean adaptation of the acclaimed Japanese film, and the webtoon-based action-comedy Brave Citizen (2023).<br /><br />Beyond mainstream hits, Ku has produced acclaimed independent films such as The Running Actress (2017), The Table (2017), and Shades of the Heart (2021). Her latest production, The World of Love (2025) by director Yoon Ga-eun, is widely recognized as one of the best Korean films of 2025. Additionally, she leads the film development workshop at the Busan Asian Film School (AFiS), supporting emerging young Asian filmmakers.</p>

Jenna Ku

爐邊對話 I- 洞悉環球市場動態

<div class="text-level-caption text-font-bold line-limit-2 mt-1">董事總經理</div>無限動力實業有限公司

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Angus_Chan.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陳羅超</span>董事總經理<br />無限動力實業有限公司</div><p style="padding-top: 20px;">香港年青電影工作者，香港樹仁學院畢業，從小熱愛電影。1993年經電影演員管理公司加入電影行業，緊接加入中國星集團有限公司，參與的電影發行包括《暗戰》《孤男寡女》、《新蜀山傳》等。隨後亦加盟Tom集團，及創立無限動力實業有限公司，業務圍繞電影製作及版權買賣，各地區電影發行，同時參與海外影展如法國康城影展（Cannes Film Festival）、美國電影市場（AFM）、東京國際影展（TIFF）等，累積片庫超越一百部以上。近年全力參與電影創作、擔當電影監製及出品人等職位，與知名香港電影公司如寰亞電影、安樂電影等緊密合作。也一直與國內著名電影公司整合把華語電影走到海外，互相強化優勢，延續華語電影之特色。</p>

陳羅超

<div class="text-level-caption text-font-bold line-limit-2 mt-1">製片人及編劇</div>Point Five Creations

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Polly_Yeung.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">楊寶文</span>製片人及編劇<br />Point Five Creations</div><p style="padding-top: 20px;">自2010年起擔任電影監製和編劇工作，在2025年，其監製及編寫的動畫電影《世外》榮獲第六十二屆金馬獎最佳動畫長片，入圍法國安錫國際動畫影展及獲得第四十四屆金像獎八項提名：包括最佳電影，并勇奪2025年香港電影票房冠軍及打破香港動畫電影票房紀錄！她憑該片獲得金馬獎最佳改編劇本提名及金像獎最佳劇本提名。<br /><br />近年，她監製墨西哥紀錄片THE SIREN SONG，贏得柏林電影節World Cinema Fund, 該片將於2026年完成。她首度創作VR動畫片《Silili &amp; Tree》(2021)，作品喜獲香港資訊及通訊科技獎:數碼娛樂(互動設計)銀獎，并應邀參展 2023 年釜山國際電影節-社區單元(Community BIFF)。</p>

楊寶文

爐邊對話 II- IP延伸：一故事多形態

<div class="text-level-caption text-font-bold line-limit-2 mt-1">製片人</div>北京趣視覺文化傳媒有限公司

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Jackie_Dong.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">董嘉琦</span>製片人<br />北京趣視覺文化傳媒有限公司</div><p style="padding-top: 20px;">前頭部流媒體平臺製片人，現AIGC影像領域創業者/AIGC超級創作者，擁有十餘年影視全產業鏈操盤經驗與AI內容創新實踐，跨時空擁抱系列作者，《三體》《盲俠大律師》《守護神之保險調查》《冒險王衛斯里》等電視劇資深製片人。</p>

董嘉琦

工作坊 1：真實分享：AI助手簡化製作流程

<div class="text-level-caption text-font-bold line-limit-2 mt-1">製片人</div>蕩麥影業

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/SHAN_Zuolong.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">單佐龍</span>製片人<br />蕩麥影業</div><p style="padding-top: 20px;">單佐龍，電影製片人。其近十年製片作品幾乎都入選戛納、威尼斯、柏林等國際電影節並全球發行。代表作有《狂野時代》（康城主競賽「特別獎」）、《地球最後的夜晚》（康城「一種注目」）、《路邊野餐》（盧卡諾最佳新導演）、《植物學家》（柏林「新生代」評審團大獎）、《愛是一把槍》（威尼斯「未來之獅」最佳首作）、《喀斯特》（平遙最佳影片）等，並監制《海邊升起一座懸崖》（康城短片金棕櫚）。</p>

單佐龍

工作坊 2：融資解鎖影視夢

<div style="margin-top: 30px;"><h3 style="text-align: left; color: #1f5730; padding: 10px 0 40px; margin: 0; font-weight: 900; font-size: 27px;">合作夥伴機構</h3><div><img style="max-width: 100%; height: auto; text-align: center;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/institutional-parnters-1.jpg" width="900" /></div></div>