Producers Connect

<div style="background-color: #f1f0f8; padding-bottom: 30px;"><p class="desc" style="padding-bottom: 10px; padding-top: 30px;">首屆 Producers Connect 旨在為全球製片人、導演和融資人建立聯繫和引導國際交流，以探索合作、尋找共同製作的機會、促進創意的分享，並將想法具體化為電影計劃。</p><p class="desc">為期四天的活動包括專題討論會、座談會、工作坊、小組商業配對及聯誼活動。如需查看 Producers Connect 的完整節目表，請按<a href="https://hkfilmart.hktdc.com/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Programme_info_1-4_OP_V2.pdf" target="_blank" rel="noopener"><strong style="color: #4e2f91;"><u>此處</u></strong></a>。</p></div>

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Head of Red Sea Fund</div>Red Sea Fund

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Emad_Eskandar-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Emad Eskandar</span>Head of Red Sea Fund<br />Red Sea Fund</div><p style="padding-top: 20px;">Emad Eskander is a Saudi storyteller/filmmaker. A marketing graduate from King Fahad University of Petroleum and Minerals and started his professional career as a creative conceptualizer in ad agencies. He then gained valuable experience in multiple multinational companies such as Unilever and P&amp;G. His passion for films in Saudi and the region prompted him to leave the corporate world for a more creative role in local up-and-coming film agencies. In 2019, he founded his own conceptualizing and writing studio “Blue Bus Entertainment”, in his first year the studio was able to make huge strides in the local and regional film industry. Currently working as The Head of Red Sea Fund.</p>

Emad Eskandar

<div class="text-level-caption text-font-bold line-limit-2 mt-1">國際內容開發中心總經理</div>阿里巴巴影業集團

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Eric_Lin.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">林明杰</span>國際內容開發中心總經理<br />阿里巴巴影業集團</div><p style="padding-top: 20px;">阿裡影業國際內容開發中心總經理、電影製片人、編劇，擁有二十餘年電影開發及製作經驗，曾任職博納影業、IMAX中國、寰亞電影、夢造者等頭部電影公司。電影編劇作品包括《韓城攻略》、《湄公河行動》及《紅海行動》，曾獲提名第17屆中國電影華表獎「優秀編劇」，及提名第34屆大眾電影百花獎「最佳編劇」。曾參與製片統籌項目包括《龍門飛甲》、《智取威虎山》、《桃姐》、《激戰》及《竊聽風雲》系列等。文字作品包括電影專題書《香港製片 —— 港式電影製作回憶錄》。</p>

林明杰

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Executive Producer</div>Gullane

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Gabriela_Tocchio-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Gabriela Tocchio</span>Executive Producer<br />Gullane</div><p style="padding-top: 20px;">Gabriela Tocchio believes in cinema as a transformative force for the economy and society. She has over 20 years of experience in communication and audiovisual production. She is a publicist with a specialization in Executive Production in the USA, an MBA in Marketing from USP and training in Entertainment Financing from UCLA. She began her career at Folha de S. Paulo and worked at Giusti/Loducca, where she honed her expertise in communications. She led strategic projects at Família Schurmann and Repense, combining creativity and social impact. For the last 10 years at Gullane, she has focused on the financing and structuring of feature films and documentaries, supporting national and international co-productions, distribution, pre-sales and fundraising. Her work builds bridges between art, innovation and market and strengthens the global audiovisual industry.</p>

Gabriela Tocchio

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Head of Int'l Film Production</div>CJ ENM

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Justin_Kim-2.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Justin Kim</span>Head of Int'l Film Production<br />CJ ENM</div><p style="padding-top: 20px;">Justin Kim is currently the Head of Int’l Film Production at CJ ENM and, also the General Director at CJ HK Entertainment Vietnam. He joined CJ ENM in 2010 was responsible for Int’l Sales of CJ ENM’s highly acclaimed films such as Snowpiercer by director Bong Joon-ho and The Handmaiden by director Park Chan-wook.<br /><br />He joined Int’l Film Production from 2017 and has actively produced more than 20 Int’l language films especially from South-East Asia (Vietnam, Indonesia, Thailand) and Turkiye. In Vietnam, he recently produced consecutive record-breaking local films; MAI and The House of No Man (Nha Ba Nu) which became all-time Box Office No. 1 and No. 2 respectively along with the current Box Office sweeping film The Ancestral Home. In Indonesia, he produced most of CJ ENM’s strong IP based remake films such as Bebas (Sunny), and My Annoying Brother along with multiple horror hits including Dreadout, Impetigore and Jailangkung Sandekala to name a few.<br /><br />He strongly believes in genuine power of the original story from Asian creators and his lifetime mission has been spreading wonderful Asian films to Int’l audiences as far as he could.</p>

Justin Kim

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>LES PETITES LUMIERES (FRANCE)<br>China Blue Films

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Natacha-2.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Natacha Devillers</span>Producer<br />LES PETITES LUMIERES (FRANCE)<br />China Blue Films</div><p style="padding-top: 20px;">Natacha Devillers is a seasoned French film producer with over 25 years’ experience, including almost 20 years with China and 5 in Indonesia as well as several with Turkey, who has overseen over 30 feature films as producer or executive producer, focusing mainly on coproductions between Asia and Europe. Recently she produced “Pekingman: The Last Secrets of Humankind” for 10.7/France Television and CCTV, as well as a France-China coproduction “Moon the Panda” with Gaumont &amp; Mai Juin.</p>

Natacha Devillers

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Managing Director, Producer</div>Momo Film Co

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/TAN_SI_EN.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陳思恩</span>Managing Director, Producer<br />Momo Film Co</div><p style="padding-top: 20px;">Tan Si En is a film and television producer and the founder of Momo Film Co.<br /><br />A distinguished alumnus of Berlinale Talents and Rotterdam Lab, Si En has produced a number of acclaimed films. Notably, Don't Cry, Butterfly by Dương Diệu Linh won both the Grand Prix and the Most Innovative Film Award at the Venice Critics Week in 2024. Dreaming &amp; Dying by Nelson Yeo claimed two prestigious Golden Leopards at the Locarno Film Festival in 2023, while Wet Season by Anthony Chen premiered at the Toronto International Film Festival 2019, where it was part of the Platform Competition. Wet Season was later selected as Singapore’s official submission for the Academy Awards in 2021, earning 12 international awards, including the prestigious Golden Horse Awards.<br /><br />Si En’s latest co-productions include The Year of the Everlasting Storm (Cannes 2021), Arnold Is a Model Student by Sorayos Prapapan (Locarno 2022), Andragogy by Wregas Bhanuteja (Toronto 2023), Some Nights I Feel Like Walking by Petersen Vargas (Tallinn Black Nights 2024), and This City Is A Battlefield by Mouly Surya (Rotterdam 2025).<br /><br />Si En was the assistant producer of POP AYE by Kirsten Tan, which won the Special Jury Prize at Sundance Film Festival 2017 and the VPRO Big Screen Award at International Film Festival Rotterdam.<br /><br />Currently, Si En is developing and producing a slate of award-winning projects, including Red Butterfly alongside Studiocanal, Levitating by Wregas Bhanuteja and A Useful Ghost by Ratchapoom Boonbunchachoke, among others.<br /><br />In addition to their production work, Si En has led initiatives such as the Objectifs Short Film Incubator and the Momo Distribution Grant.<br /><br />Si En’s contributions to the industry have been featured in major publications including Screendaily, Variety, Tatler, and Channel News Asia. In 2020, they were named one of The Straits Times' 30 Under 30 – The Arts. In 2021, they received the Youth Inspiration Award from the National Youth Council and Scape. In 2023, Si En was recognized by Tatler's GenT as one of the Leaders of Tomorrow, and in 2024, they were honored with the Young Artist Award, Singapore's highest accolade for art practitioners aged 35 and under.</p>

陳思恩

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer / Curator</div>mylab

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Lorna_Tee.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Lorna Tee</span>Producer / Curator<br />mylab</div><p style="padding-top: 20px;">Lorna Tee is a film producer &amp; curator, dividing her time between Asia &amp; Europe. She has over 20 years of experience in the media &amp; entertainment industry with key positions in Focus Films, Variety, Irresistible Films, Berlinale, CinemAsia FIlm Festival Amsterdam and International Film Festival &amp; Awards Macao plus has served as jury and advisors at major international film festivals &amp; film markets globally. She is producing with her Malaysian company Paperheart, and with Amsterdam-based company, An Original Picture, focusing on director driven films made for an international audience. She is the founder/ curator of mylab, (a development &amp; training programme), the international acquisitions advisor for Barunson E&amp;A (South Korea), the Market Advisor for JAFF Market and the secretary-general of the Asian Film Alliance Network (AFAN).</p>

(Moderator) Lorna Tee

International Coproduction: Balancing Risks and Rewards

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Head of International Relations</div>British Film Institute

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Agnieszka_Moody-2.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Agnieszka Moody</span>Head of International Relations<br />British Film Institute</div><p style="padding-top: 20px;">Agnieszka Moody is the Head of International Relations at the British Film Institute. She looks after international and industrial policy, strategy and engagement, developing and nurturing international relationships and opening opportunities for UK-based screen professionals in the international marketplace. With nearly 30 years’ experience, Agnieszka has extensive international network and in-depth understanding of international screen business and culture. She is currently working on the implementation of the international segment of the BFI’s new ten-year strategy (2023-2033), and revisions of UK’s co-production treaties with Australia and Canada. <br /><br />Previously, Agnieszka was the Director of Creative Europe Desk UK, a promotion and information office of the European Union’s funding programme Creative Europe, where she helped hundreds of British companies secure funding for their projects from the EU and organised a range of industry events and conferences promoting co-production and wider international cooperation. <br /><br />In 2018, Agnieszka was seconded from the BFI to Creative Scotland where, as Interim Director of Screen, she supported the launch and the first six-months roll out of Screen Scotland, a partnership of several public agencies to promote the development of screen sector in Scotland. A graduate of the Film Production Department of the renowned Polish National Film and Television School in Lodz, she has worked on several feature films including Steven Spielberg’s Schindler’s List.</p>

Agnieszka Moody

<div class="text-level-caption text-font-bold line-limit-2 mt-1">International Co-production Fund Manager - UK Global Screen Fund</div>British Film Institute

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Attica_DAKHIL.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Attica Dakhil</span>International Co-production Fund Manager - UK Global Screen Fund<br />British Film Institute</div><p style="padding-top: 20px;">Attica currently works at the British Film Institute for the UK Global Screen Fund managing the International Co-production strand. She joined the BFI International team in October 2017 and has worked and coordinated the activities across co-production, export and the international funds. She previously worked in the International and UK Acquisitions and Production departments at StudioCanal in London and in Paris. She is bilingual in German and Italian and fluent in English and French. She has a BA from the University of Rome ‘La Sapienza’ and an MA in English Literature and Linguistics from the University of Cologne, Germany.</p>

Attica Dakhil

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Director</div>S11 Partners Limited

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Cora_Yim.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">嚴嘉念</span>Director<br />S11 Partners Limited</div><p style="padding-top: 20px;">S11 Partners 聯合創辦人。Cora曾任職於美國福斯傳媒集團，寰亞綜藝集團和嘉禾娛樂 集團，負責華語內容採購、發行及市場推廣和電影頻道營運；期間製作和監製多部作品，包括電影《雛妓》《29+1》《心冤》《比悲傷更悲傷的故事》及FOX迷你劇集《東方華爾街》劇集《愛的廣義相對論》等；最新監製影集《臺灣犯罪故事》與美國Imagine及犢影製作合制，已於2023年在Disney+推出。現為香港電影發展基金委員會之一及HKDI 香港知專設計學院顧問委員會之一，2023年獲香港政府文化體育及旅遊局局長嘉許獎。 <br /><br />2018年在台灣推出首屆福斯原創坊，致力培養台灣新一代優秀的華語創作製作人才，提供培訓和平台創作出卓越的華語影視作品。2022年聯手好萊塢製作公司Imagine Entertainment及台灣文策院舉辦EMERGE華語原創內容開發計劃，孵育具有商業潛力的原創華語內容及編劇人才；2024年再度推出Emerge2.0,於台灣及新加坡兩地徵選6組影視團隊，在坎城電影市場展（Marché du Film）面向國際買家開展專場提案會。開發中香港電開發中香港電影《紅綿路》獲2023年HAF發展中項目大獎；監製項目《黑白清道夫》獲金馬60創投會議catchplay國際注目獎。</p>

嚴嘉念

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Vice President</div>International Short Drama Association

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Jin_Wang.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">王金</span>Vice President<br />International Short Drama Association</div><p style="padding-top: 20px;">曾任國際艾美獎中國區評委，中國電視劇製作產業協會兼任短工委秘書，曾擔任中國廣播音像出版社影視中心主任，同時參與策劃多倫多電影節中國單元。作為策劃人策劃了電視劇《咱家那些事》《要過好日子》《大家庭》《我的極品老媽》《幸福向前走》《警犬來啦》 《下一站，別離》等，聯合制片電影《失而復得》 《喀斯特》</p>

王金

<div class="text-level-caption text-font-bold line-limit-2 mt-1">業務創辦人董事會主席兼行政總裁、執行董事</div>羚邦集團

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Lovinia_Chiu.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">趙小燕</span>業務創辦人董事會主席兼行政總裁、執行董事<br />羚邦集團</div><p style="padding-top: 20px;">趙小燕女士為羚邦集團業務創辦人董事會主席兼行政總裁、執行董事。她是一位富有創造力、充滿活力、睿智且富有遠見的企業家，擁有36年的媒體娛樂產業經驗。<br><br>
趙女士於1988年8月開始從事內容發行事業。憑藉她的遠見和強大的創業精神，她於1994年成立了羚邦。業務以內容發行和品牌授權為主，亦涉足內容製作、發行安排及動漫商品開發。羚邦是同類公司中首家於2019年5月21日在香港聯交所主板上市的第三方知識產權管理的公司。</p>

趙小燕

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>KawanKawan Media

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Yulia_Evina_Bhara-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Yulia Evina Bhara</span>Producer<br />KawanKawan Media</div><p style="padding-top: 20px;">Yulia Evina Bhara is a producer and the founder of KawanKawan Media, a production company based in Jakarta, Indonesia. She has produced among others: Solo, Solitude (2016) by Yosep Anggi Noen, The Science of Fictions (2019) by Yosep Anggi Noen, You and I (2020) by Fanny Chotimah, Whether The Weather Is Fine by Carlo Francisco Manatad (2021), Stone Turtle by Woo Ming Jin (2022), Autobiography by Makbul Mubarak (2022), Tiger Stripes by Amanda Nell Eu (2023), Dreaming &amp; Dying by Nelson Yeo (2023), Last Shadow At The First Light by Nicole Midori Woodford (2023), 24 Hours With Gaspar by Yosep Anggi Noen (2023), Don’t Cry, Butterfly by Linh Duong Dieu (2024), and Tale of the Land by Loeloe Hendra (2024). She was chosen as one of Variety Internationals’s Impactful Women in 2023.</p>

Yulia Evina Bhara

Fireside Chats

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Executive Director &amp; Co-founder</div>Trinity Film CineAsia

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Cedric_Behrel.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Cedric Berhel</span>Executive Director &amp; Co-founder<br />Trinity Film CineAsia</div><p style="padding-top: 20px;">塞德里克是Trinity 公司的共同創始人並但任該公司的總經理；Trinity 是一家版權電影發行商，致力於為英國觀眾創造最優的影院觀影體驗並為他們帶去最好的中歐電影。在建立Trinity 公司之前，塞德里克在巴黎第一大學獲得哲學榮譽學位，並在倫敦電影學院修完了電影製作方面的碩士課程。Trinity 公司是一家獨立發行商，在2006 年成立以來已經成功的髮型了多部標誌性的影片，如鄧尼斯.維倫紐瓦執導的奧斯卡提名影片《焦土之城》的海外首映，菲力浦.賽默.霍夫指導的《傑克去划船》，保羅.索倫蒂諾執導、西恩.潘出演的《為父尋仇》，尤裡西.塞德爾指導的《寂寞邊界》，格雷厄姆.查普曼的動畫傳記片《撒謊精自傳》，以及加斯帕.諾執導的《遁入虛無》。 <br /><br />2015 年納入旗下的Cine Asia 是中國電影業在英國最大的發行品牌。CineAsia 發行過著名的《葉問》系列電影，並發行了一系列由成龍、甄子丹、周潤發主演的電影。Trinity 在發行中國電影上取得了巨大的成果，如《芳華》、《唐人街探案2》、《戰狼2》這些票房成績極佳的電影。</p>

Cedric Berhel

<div class="text-level-caption text-font-bold line-limit-2 mt-1">CEO</div>Orisa produzioni

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Cristiano_Bortone-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Cristiano Bortone</span>CEO<br />Orisa produzioni</div><p style="padding-top: 20px;">Bortone is known in the industry as a director, writer, producer and animator of several film initiatives. After attending the University of Southern California (USC), in 1991 he graduated from New York University in film and television. Among the films he directed, RED LIKE THE SKY (2006) Italian film award and Best film at more than 25 int. film festivals; COFFEE (2016) first official co-pro between Italy, Belgium and China, Special event at Venice days and nominated at the China Media awards; MY PLACE IS HERE (2024) Best director and Best female actress at the Bif&amp;st and Italian Film Critics Award.<br /><br />Bortone is also an appreciated producer. In 1998 he founded the Italian company Orisa Produzioni and in 2010 the Chinese one Yiyi Pictures. He produced both art house and more commercial movies. He was nominated twice as Best Italian producer. Among his productions the Sino-Italian-German romantic comedy THE ITALIAN RECIPE 遇见你之后 (2022) co-produced with Kaixin Mahua. He has been consultant of Creative Europe and has taught at different institutions including the Beijing Film Academy. He is co-founder and Managing director of the Euro-Asian producers association Bridging Visions.</p>

Cristiano Bortone

<div class="text-level-caption text-font-bold line-limit-2 mt-1">製片人</div>翊翊（上海）文化傳播有限公司

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2025/03/Fan_Zhang-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">張凡</span>製片人<br />翊翊（上海）文化傳播有限公司</div><p style="padding-top: 20px;">2018年，張凡加入龍躍中歐製片人協會，並開始作為獨立製片人製作影視專案。她最新的電影項目《生息之地》於2025年2月入選第75屆柏林國際電影節主競賽，並獲銀熊獎“最佳導演獎”（導演霍猛）。她還曾擔任首部中國大陸、義大利、德國聯合制片電影《遇見你之後》(2022)的製片人。該片由開心麻花影業、奧瑞薩影業、義大利國家電視臺等公司共同出品。此外，她與聯瑞影業合作、由著名導演陳正道監製的長片電影《歡迎再次登錄》也計畫於2025年與觀眾見面。</p>

張凡

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