Producers Connect

<h2 style="color: #1f5730; text-align: center; font-size: 40px;">Producers Connect</h2>

<div style="background-color: #d6e1d9; padding-bottom: 30px;"><p class="desc" style="padding-bottom: 10px; padding-top: 30px; color: #1f5730;">Producers Connect 旨在为全球制片人、导演和融资人建立联系和引导国际交流，以探索合作、寻找共同制作的机会、促进创意的分享，并将想法具体化为电影计划。<br /><br />为期四天的活动包括专题讨论会、座谈会、工作坊、小组商业配对及联谊活动。<br /><br />如需查看 Producers Connect 的完整节目表，请按<a href="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Producers-Connect-Programme-Rundown.pdf" target="_blank" rel="noopener"><strong><u>此处</u></strong></a>.</p></div>

<div class="text-level-caption text-font-bold line-limit-2 mt-1">监制及导演</div>

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Peter-Ho-Sun.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陈可辛</span>监制及导演</div><p style="padding-top: 20px;">1997年，陈可辛凭借经典爱情电影《甜蜜蜜》（张曼玉、黎明主演）在国际影坛崭露头角。这部公认的华语影史佳作，不仅奠定了陈可辛职业生涯的基调，也是他致力推动华语电影发展的开始。陈可辛是首位包揽金像奖、金马奖、金鸡奖三大华语电影最高荣誉“最佳导演”奖项的导演，其作品迄今已斩获233座奖杯，获得400余次提名。美国《时代周刊》更将《甜蜜蜜》与《武侠》分别评为1997年及2012年全球十大佳片。<br /><br />尽管以人物刻画见长，陈可辛却能游刃有余地穿梭于各种类型片之间。他执导的歌舞片《如果·爱》被选为2006年威尼斯电影节闭幕影片，并代表中国香港角逐第78届奥斯卡金像奖。2020年，他执导的中国女排故事《夺冠》代表中国大陆参选奥斯卡。陈可辛的其他导演代表作还包括：《双城故事》《金枝玉叶》《投名状》《中国合伙人》《亲爱的》等。在创作之余，陈可辛始终致力于推动华语电影产业的开拓：他于1990年代初参与创立“电影人制作公司”（UFO），2000年联合创办Applause Pictures，并于2009年创立了具有开创性的“我们制作”（WE Pictures）公司，扶持、制作并发行各类型华语影人的作品。<br /><br />作为泰国华侨后代，陈可辛不仅深耕华语影坛，更积极拓展泛亚洲电影版图。在Applause Pictures时期，陈可辛大力推动制作面向亚洲观众的泛亚洲电影，成功打造出《晚娘》《见鬼》系列（含美国翻拍版）等佳作，并与朴赞郁、三池崇史等国际名导合作。近年来，他更将合作版图延伸至南亚与东南亚，通过与卡比尔·汗、基兰·拉奥、班庄·比辛达拿刚等知名导演建立合作，促进亚洲更广阔区域内电影人的交流与碰撞。 <br /><br />2011年，陈可辛的电影《武侠》作为当届电影节唯一入围的华语片进行首映，其融合武侠动作与侦探悬疑的创新风格颇具特色。2024年，他的新作《酱园弄》继《武侠》之后，二度入选了戛纳电影节官方单元。</p>

陈可辛

<div class="text-level-caption text-font-bold line-limit-2 mt-1">监制及导演</div>长景路电影工作室

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Anthony_Chen.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陈哲艺</span>监制及导演<br />长景路电影工作室</div><p style="padding-top: 20px;">陈哲艺，新加坡获奖编剧、导演及制片人。2007年短片《阿嬷》获康城影展短片竞赛特别提及，2013年首部长片《爸妈不在家》获康城金摄影机奖及金马奖最佳剧情片等四项大奖。 2019年《热带雨》再代表新加坡角逐奥斯卡最佳外语片。2023年《漂流人生》入选辛丹斯电影节，《燃冬》入选康城一种注目。2026年《我们不是陌生人》入选柏林主竞赛。制片电影包括《亲爱的大笨象》、《花路阿朱妈》、《青春末世物语》等。</p>

陈哲艺

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>Sacrebleu Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Ron_Dyens.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Ron Dyens</span>Producer<br />Sacrebleu Productions</div><p style="padding-top: 20px;">Ron DYENS is an Academy Award© &amp; Golden Globe Winner for the animated feature FLOW (2025).<br /><br />He is also an Academy Award© nominee for the animated short MADAGASCAR, TRAVEL DIARY (2011).<br /><br />In 1999, he founded Sacrebleu Productions, a french production company specializing in animated feature and short films with a strong international reach.<br /><br />Since then, he has produced over 100 short films, collecting more than 2000 festivals selections worldwide &amp; winning prestigious awards - including the Palme d'or for Best Short Film.<br /><br /><u>About Sacrebleu Productions</u><br /><br />Sacrebleu Productions ventured in animated feature film with LONG WAY NORTH (awarded at Annecy 2016). Four films followed including MARONA'S FANTASTIC TALE, MY SUNNY MAAD (nominated at the 2022 Golden Globes) and SIROCCO AND THE KINGDOM OF THE WINDS (awarded at Annecy 2023).<br /><br />FLOW premiered at 2024 Cannes Film Festival, grossed nearly $80 million at the global BO and earned 100 awards worldwide (including the Golden Globes, César and Oscar© for Best Animated Feature).</p>

Ron Dyens

<div class="text-level-caption text-font-bold line-limit-2 mt-1">President</div>Janet Yang Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Janet_Yang.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">杨燕子</span>President<br />Janet Yang Productions</div><p style="padding-top: 20px;">An Emmy and Golden Globe-winning Hollywood producer, Yang recently completed three one-year terms as President of the Academy of Motion Picture Arts and Sciences. She is the first Asian American to hold this position. In 2025, she became a founding partner of First Light StoryHouse, a new venture with Miky Lee of CJ Entertainment and Dominic Ng of East West Bank.<br /><br />Yang came to prominence through her collaboration with Steven Spielberg on “Empire of the Sun,” followed by a long partnership with multiple Academy Award-winner Oliver Stone where she served as Executive Producer on the iconic "The Joy Luck Club" and as a Producer on the Golden Globe-winning "The People vs. Larry Flynt."<br /><br />Most recently, Yang was an Executive Producer on the 2025 Tribeca Audience-award winning documentary "The Rose Come Back To Me," the Sundance-premiering narrative feature “Take Me Home,” and the Oscar-nominated animated film “Over the Moon.”</p>

杨燕子

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Chief Executive Officer</div>SKOP Productions

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Shamin-Yusof.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Shamin Yusof</span>Chief Executive Officer<br />SKOP Productions</div><p style="padding-top: 20px;">Shamin Yusof is a commercially driven Malaysian producer with a proven record of delivering high-impact, market-leading content. Over the past nine years, she has produced and managed five of Malaysia’s highest-grossing films, demonstrating a sharp understanding of audience demand, positioning, and large-scale execution. She produced Malaysia’s first original series for iflix, KL Gangster Underworld, which became the platform’s mostwatched original title. In 2025, she produced Blood Brothers: Bara Naga, now ranked among the top three highest box office performers across Malaysia, Singapore, and Brunei.<br /><br />She also led the nationwide distribution strategy for Mat Kilau, Malaysia’s highest-grossing film with RM98 million in box office revenue, and produced the first Malaysian original series for Disney+, Special Force: Anarchy. Her leadership spans development through release, overseeing cross-border collaborations, marketing rollouts, and multi-platform launches.<br /><br />Focused on scalable growth, strategic partnerships, and regional expansion, Shamin consistently delivers commercially competitive projects that elevate Malaysia’s presence in the Southeast Asian entertainment market.</p>

Shamin Yusof

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Secretary General</div>Asian Film Alliance Network AFAN

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Lorna_Tee.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Lorna Tee (Moderator)</span>Secretary General<br />Asian Film Alliance Network AFAN</div><p style="padding-top: 20px;">Lorna Tee is a pan-asian film producer, curator and cultural diplomat. She has had management roles at Focus Films, Variety, Back Up Media, Cinematheque Passion and key positions in festivals such as Berlinale, CinemAsia and more. Currently, she is the curator of , the international acquisitions advisor for Barunson E&amp;A, the Secretary General of the Asian Film Alliance Network (AFAN) (a collective of Asian national film agencies) and the market advisor for JAFF Market.<br /><br />She produced the inaugural Asian Film Awards in 2007. She was the co-founder and Head of Festival Management for the International Film Festival &amp; Awards Macao until 2020. She mentors and lectures with film training programmes/ labs (SEAFIC, EAVE, London Film School, DW Film Akademie, Taipei Film Academy amongst others), primarily with emerging filmmakers, plus collaborates with various international film agencies and film funds in multiple capacities.</p>

Lorna Tee (Moderator)

一拍即「合」：国际合拍的全球动向

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer</div>

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Raymond_Phathanavirangoon.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Raymond Phathanavirangoon</span>Producer</div><p style="padding-top: 20px;">Raymond PHATHANAVIRANGOON is a Hong Kong-born, Bangkok-based film producer who was Executive Director of Southeast Asia Fiction Film Lab (SEAFIC) which helped develop CU LI NEVER CRIES, PLAN 75 and STRANGER EYES that premiered in Berlin, Cannes and Venice, respectively. He was programmer for Toronto International Film Festival, Programme Consultant for Hong Kong International Film Festival and Delegate at Cannes Critics' Week. Prior, he was Director of Marketing &amp; Special Projects for Fortissimo Films. He was advisory for Asian Film Awards and selection member for Hong Kong-Asia Film Financing Forum, Rotterdam Cinemart &amp; TorinoFilmLab. Producing credits: Pang Ho-Cheung’s DREAM HOME (Tribeca 2010), Pen-ek Ratanaruang’s SAMUI SONG (Venice Days 2017) and HEADSHOT (Berlin Panorama 2012), Boo Junfeng's APPRENTICE (Cannes Un Certain Regard 2016) and SANDCASTLE (Cannes Critics’ Week 2010), Ron Howard’s THIRTEEN LIVES (2022), Patrick Dickinson’s COTTONTAIL (Rome Best First Feature 2023), more.<br /><br />Company:<br /><br />Peanut Pictures was formed in 2009 with the aim of producing quality films in Singapore. Its first feature, SANDCASTLE (2010) by Boo Junfeng, premiered at Cannes Critics’ Week. In 2015 it produced the short PARTING by Boo Junfeng, part of the SG50 omnibus 7 LETTERS, which premiered at Busan. Boo Junfeng’s 2nd feature APPRENTICE (2016) premiered at Cannes Un Certain Regard and was Singapore’s 2017 Best Foreign Language Film Oscar entry. In 2018, it was commissioned by the National Volunteer and Philanthropy Centre to produce PLAGUE, a single-shot short film. It is currently finishing Boo Junfeng’s upcoming third film TRINITY.</p>

Raymond Phathanavirangoon

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Funding Executive</div>Medienboard Berlin-Brandenburg GmbH

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Oliver_Zeller-1.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Oliver Zeller</span>Funding Executive<br />Medienboard Berlin-Brandenburg GmbH</div><p style="padding-top: 20px;">Oliver Zeller is a film funding executive with a background in law and media studies and extensive experience across the film and media sector. He has held key positions in several regional funding institutions, developing strong expertise in international co productions, serial drama, and strategic financing. At Medienboard Berlin Brandenburg — the regional film and media funding agency of Germany’s Berlin Brandenburg Capital Region — Oliver oversees funding for international co productions and high end series, as well as support for digital production, animation, and additional funding initiatives.</p>

Oliver Zeller

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer, Head of DANAFF Project market, DANAFF TALENTS</div>ÂNNAM FILMS

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/TRAN-THI-BICH-NGOC-LYLY.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Tran Thi Bich Ngoc</span>Producer, Head of DANAFF Project market, DANAFF TALENTS<br />ÂNNAM FILMS</div><p style="padding-top: 20px;">Tran Thi Bich Ngoc holds a Bachelor of Film Directing from the Hanoi Academy of Cinema and Theatre and a Master of Public Policy from Fulbright University.<br /><br />With 30 years of experience in the Vietnamese movie industry, she was head of production at Galaxy Studio. Ngoc has also advised many foreign productions in Vietnam since the early 2000s, including The Last Airbender, Peter Pan, and Grand Tour...<br /><br />Highlights of her art house movies include Big Father, Small Father and Other Stories (Berlin IFF), The Third Wife(Toronto IFF), Glorious Ashes (Tokyo IFF), and Skin of Youth (Best Film, IFFI).<br /><br />Besides producing, she now works as head of Project Market, DANAFF talents at the Da Nang Asia Film Festival. She was recognized as one of Forbes Vietnam’s “50 Most Influential Women”.</p>

Tran Thi Bich Ngoc

<div class="text-level-caption text-font-bold line-limit-2 mt-1">JAFF Market Director</div>JAFF Market

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Linda_Gozali.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Linda Gozali</span>JAFF Market Director<br />JAFF Market</div><p style="padding-top: 20px;">Linda Gozali is an award-winning Indonesian producer and industry strategist, serving as Market Director of JAFF Market while co-founding MAGMA Entertainment. Known for films that unite cultural authenFcity with commercial strength, her credits include The Heartbreak Club (Sobat Ambyar, 2020) — the first Indonesian film to stream globally on NeJlix — Qodrat (The Unholy, 2022), which revitalized Islamic horror in Indonesia Cinema, and Qodrat 2 (2025), an IP-franchise milestone that led the compeFFve Eid Mubarak Indonesian box office slate.<br /><br />Following a 25-year career in capital markets, Linda entered the film industry with a long-term vision centered on IP development, sustainability, and cross-border collaboraFon. Beyond filmmaking, Linda has played a pivotal role in strengthening Indonesia’s film ecosystem. As Secretary General of APROFI since 2016 and former Secretary General of the Indonesian Film FesFval CommiYee (2021–2023), she has advocated for producer empowerment, policy dialogue, and professional standards across the naFonal industry.<br /><br />Since assuming leadership of JAFF Market in 2024, Linda has posiFoned it as Indonesia’s first and only film market designed around Asia Pacific dynamics. Under her direcFon, JAFF Market has evolved into a structured deal-making plaJorm, facilitaFng cross-border partnerships, regional financing conversaFons, and internaFonal co-producFon pathways — reinforcing Indonesia’s place within the global screen industry.</p>

Linda Gozali

<div class="text-level-caption text-font-bold line-limit-2 mt-1">Producer and CEO </div>Vol Media

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Jenna_Ku.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">Jenna Ku</span>Producer and CEO<br />Vol Media</div><p style="padding-top: 20px;">Jenna Ku is a veteran film professional active since the late 1990s. In 2016, she founded VOL Media, which she currently leads. Her producing credits span mainstream and independent cinema, including Penny Pinchers (2011) starring Song Joong-ki and Little Forest (2018) starring Kim Tae-ri. She also produced Josée (2020), a Korean adaptation of the acclaimed Japanese film, and the webtoon-based action-comedy Brave Citizen (2023).<br /><br />Beyond mainstream hits, Ku has produced acclaimed independent films such as The Running Actress (2017), The Table (2017), and Shades of the Heart (2021). Her latest production, The World of Love (2025) by director Yoon Ga-eun, is widely recognized as one of the best Korean films of 2025. Additionally, she leads the film development workshop at the Busan Asian Film School (AFiS), supporting emerging young Asian filmmakers.</p>

Jenna Ku

炉边对话 I- 洞悉环球市场动态

<div class="text-level-caption text-font-bold line-limit-2 mt-1">董事总经理</div>无限动力实业有限公司

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Angus_Chan.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">陈罗超</span>董事总经理<br />无限动力实业有限公司</div><p style="padding-top: 20px;">香港年青电影工作者，香港树仁学院毕业，从小热爱电影。1993年经电影演员管理公司加入电影行业，紧接加入中国星集团有限公司，参与的电影发行包括《暗战》《孤男寡女》、《新蜀山传》等。随后亦加盟Tom集团，及创立无限动力实业有限公司，业务围绕电影制作及版权买卖，各地区电影发行，同时参与海外影展如法国康城影展（Cannes Film Festival）、美国电影市场（AFM）、东京国际影展（TIFF）等，累积片库超越一百部以上。近年全力参与电影创作、担当电影监制及出品人等职位，与知名香港电影公司如寰亚电影、安乐电影等紧密合作。也一直与国内著名电影公司整合把华语电影走到海外，互相强化优势，延续华语电影之特色。</p>

陈罗超

<div class="text-level-caption text-font-bold line-limit-2 mt-1">制片人及编剧</div>Point Five Creations

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Polly_Yeung.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">杨宝文</span>制片人及编剧<br />Point Five Creations</div><p style="padding-top: 20px;">自2010年起担任电影监制和编剧工作，在2025年，其监制及编写的动画电影《世外》荣获第六十二届金马奖最佳动画长片，入围法国安锡国际动画影展及获得第四十四届金像奖八项提名：包括最佳电影，并勇夺2025年香港电影票房冠军及打破香港动画电影票房纪录！她凭该片获得金马奖最佳改编剧本提名及金像奖最佳剧本提名。<br /><br />近年，她监制墨西哥纪录片THE SIREN SONG，赢得柏林电影节World Cinema Fund, 该片将于2026年完成。她首度创作VR动画片《Silili & Tree》(2021)，作品喜获香港资讯及通讯科技奖:数码娱乐(互 动设计)银奖，并应邀参展 2023 年釜山国际电影节-社区单元(Community BIFF)。</p>

杨宝文

炉边对话 II- IP延伸：一故事多形态

<div class="text-level-caption text-font-bold line-limit-2 mt-1">制片人</div>北京趣视觉文化传媒有限公司

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/Jackie_Dong.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">董嘉琦</span>制片人<br />北京趣视觉文化传媒有限公司</div><p style="padding-top: 20px;">前头部流媒体平台制片人，现AIGC影像领域创业者/AIGC超级创作者，拥有十余年影视全产业链操盘经验与AI内容创新实践，跨时空拥抱系列作者，《三体》《盲侠大律师》《守护神之保险调查》《冒险王卫斯里》等电视剧资深制片人。</p>

董嘉琦

工作坊 1：真实分享：AI助手简化制作流程

<div class="text-level-caption text-font-bold line-limit-2 mt-1">制片人</div>荡麦影业

<div style="display: inline-block;"><img style="max-width: 200px; width: 90%; border-radius: 100px;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/SHAN_Zuolong.jpg" /></div><div style="display: inline-block;"><span class="text-level-body theme-text text-font-bold line-limit-2 StandLogo_title__1142i">单佐龙</span>制片人<br />荡麦影业</div><p style="padding-top: 20px;">单佐龙，电影制片人。其近十年制片作品几乎都入选戛纳、威尼斯、柏林等国际电影节并全球发行。代表作有《狂野时代》（康城主竞赛「特别奖」）、《地球最后的夜晚》（康城「一种注目」）、《路边野餐》（卢卡诺最佳新导演）、《植物学家》（柏林「新生代」评审团大奖）、《爱是一把枪》（威尼斯「未来之狮」最佳首作）、《喀斯特》（平遥最佳影片）等，并监制《海边升起一座悬崖》（康城短片金棕榈）。</p>

单佐龙

工作坊 2：融资解锁影视梦

<div style="margin-top: 30px;"><h3 style="text-align: left; color: #1f5730; padding: 10px 0 40px; margin: 0; font-weight: 900; font-size: 27px;">合作伙伴机构</h3><div><img style="max-width: 100%; height: auto; text-align: center;" src="/conference/hkfilmart/wp-content/uploads/sites/111/2026/03/institutional-parnters-1.jpg" width="900" /></div></div>